Vacay in style, Top luxury experiences in the Mexican Caribbean

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BRANDPOINT - Yearning for a luxury vacation unlike any other? Consider the unique cultural, culinary and wellness experiences in the Mexican Caribbean. This signature paradise offers a winter getaway where you can indulge in natural beauty, nurturing environments and flavors that nourish the soul.

While the entire region boasts beautiful tropical weather and is steeped in rich Mayan culture, each of the Mexican Caribbean's 12 destinations has its own distinct identity. You'll enjoy turquoise waters, white sand beaches and remarkable archaeological sites. The region is also home to otherworldly cenotes for freshwater swimming, boundless nature and more. Along with these natural wonders, you'll discover an enticing culinary scene, rich culture, world-class entertainment and top-notch accommodations.

Ready to plan your trip? Here are some Mexican Caribbean experiences you won't want to miss.

Make a splash in over-the-top pools

Travelers seeking the perfect vacation filled with sipping, sunning and relaxing in unique pools have their choice of options in the Mexican Caribbean. In the Riviera Maya, the adults-only luxury inclusive La Casa de la Playa features a stunning 130-foot-long swimming waterway overlooking the sea that provides breathtaking horizon views. For ultimate relaxation, Banyan Tree Mayakoba offers villas with private pools, creating a more intimate experience. Similarly, Cancun's Nizuc Resort & Spa offers opulent pool villas for guests looking for total seclusion and privacy. Wellness takes to the water at Grand Velas Riviera Maya's Floating Sound Baths. This meditative practice allows individuals to discover their inner peace and achieve maximum relaxation by gently moving while floating in water.

Indulge in next-level spa treatments

The Riviera Maya offers a wealth of opportunities for indulgence and rejuvenation, with several resorts dedicated to wellness. At Fairmont Mayakoba, locally inspired spa treatments like the Copal Mayan Purification and the Cha Chac Rain Ritual provide a deeply calming, refreshing and energizing experience. St. Regis Kanai Resort features rituals inspired by ancient Mayan astronomy. Senses can be further awakened at the Maroma Spa by Guerlain at Maroma, a Belmond Hotel in the Riviera Maya. Their unique Bee Healing Ritual incorporates resort-made honey from the stingless Melipona bee which is sacred in the Mayan culture, helping guests connect with nature. At the Waldorf Astoria Cancun, luxury spa treatments include the Yaxche Journey which facilitates personal discovery and healing on a spiritual, emotional and physical plane to balance the body, mind and spirit.

Savor custom-made culinary experiences

The Mexican Caribbean has become a culinary powerhouse offering myriad globally recognized restaurants and exceptional dining experiences. At Etereo, Auberge Resorts Collection in the Riviera Maya, guests can enjoy a regionally inspired four-course menu during a private moonlit dinner at the beach or alongside the Tranquilo pool. Alternatively, discover the secrets of Mexican cuisine through the hands-on Comal Cooking Class, which offers the opportunity to craft fresh tortillas and prepare delicious small dishes using a traditional Mexican griddle. At the MICHELIN Recommended Maria Dolores at ATELIER Playa Mujeres, celebrity Chef Edgar Nunez presents seasonal dishes with an haute cuisine approach to Mexican gastronomy. His signature creations combine flavors and stories from every corner of Mexico, creating a sensory experience in each dish. At the one MICHELINE Star HA' at Hotel Xcaret in the Riviera Maya, Chef Carlos Gaytan presents contemporary Mexican cuisine through a 9-course tasting menu, where each dish is perfectly harmonized with exquisite wines and spirits.

Imbibe in modern mixology

Cocktail aficionados will be thrilled at the region's offerings, including Chaak in the Jungle at Conrad Tulum, an enchanting tropical mixology experience in the magical jungle under the stars. For a speakeasy vibe in the tropics, Bambuco by Handshake at Marmona, a Belmond Hotel, offers a haven for creative cocktailing; it's the perfect spot for a nightcap and small plates among lush tropical palms. Or check out the award-winning Zapote Bar at Rosewood Mayakoba, a love letter to the Yucatan Peninsula, celebrating the heritage, culture and people of the region.

For more information, visit MexicanCaribbean.Travel.

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Visual storytelling; How one photographer gets the right image and tone

by Sarahbeth Maney
ProPublica

Last month, reporter Anna Clark and I hosted an in-person photo gallery and group discussion about what motivated us to tell stories of Flint, Michigan, residents 10 years after the start of the water crisis and to talk about how we work to understand the communities we serve. As a visual fellow at ProPublica, I’m focused on documenting the lives of people in our stories through photography. Throughout history, photography has been a powerful tool for recording moments in time, providing visual evidence and evoking emotions that urge us to understand experiences outside of our own. Here are suggestions for aspiring visual storytellers who may find themselves in similar situations.

Ask “Why Does This Story Need to be Told?”

Anna and I previously worked in Flint in different capacities: I interned as a photojournalist at the Flint Journal; Anna wrote a book, “The Poisoned City: Flint’s Water and the American Urban Tragedy.” To us, Flint is not just a news story, it’s a complex place full of real people who have been and continue to be denied adequate resources and support. We wanted the public to know that generations of Flint residents still live with physical and psychological challenges. By sharing what Flint residents think accountability would look like, we were able to show how many feel betrayed by the failure to hold anyone criminally responsible. They also remain frustrated by how long it’s taking to fix the local water system and the lingering mental wounds that may never be repaired.

The photo essay gave a glimpse into the experience of three residents and how their present-day concerns, fears and decisions are shaped by the water crisis. Over about four months, I made frequent visits to Flint — stopping by nonprofits, churches, after-school programs and other places that are part of everyday life. I spoke with incredibly kind people. Some wanted to help me; others were hesitant, usually because they wanted to move on or felt things would never change. Robert McCathern, Teagan Medlin and Jacquinne Reynolds granted me a great deal of trust. They were able to open up and make themselves vulnerable because of their commitment to cultivating change for future generations. I tried to represent that through the environment in the photographs.

Be Sincere With Your Approach

During the discussion at the visual storytelling event at Totem Books in Flint, we asked residents to ponder what type of stories resonate with them most, what questions they wish someone would ask them and who is one person they would like to interview. We discovered a common thread of wanting to feel more connected as neighbors and fellow human beings.

Then we flipped the exercise to challenge ourselves as journalists and receive questions from residents. “Why Flint?” one participant asked us. We told her how we’d come to admire the community and wanted to present a multidimensional view of it to readers. “Something about this place seems to get in people’s blood,” the participant told us, and it does seem that for a city of its size, Flint has attracted a disproportionate number of storytellers — even before the water crisis. And yet, some residents still wonder: What has changed? Over the past decade, Flint residents have been in the public eye not by choice, but as a result of a disaster created and prolonged by public officials. So what does that mean for us and our responsibility as storytellers?

Being in the business of transparency requires us to also be transparent with the communities we document. Without transparency, it’s hard to build mutual trust, especially in communities that have faced betrayal and have had little control over how their stories are shared with the world.

During the early stages of the project, before lifting my camera to make any photos, I listened to Flint residents and learned about their stories, then let what they told me naturally guide the photos I made. Early on, I also stressed that I believe their stories are important to share because people outside of Flint should know that for many Flint residents, the crisis is still not over.

I also should note that our stories go through many layers of revisions and fact-checking. From beginning to end, I tried to communicate how the project was developing and made sure that our sources were aware of how the story would be framed, how they would be portrayed and how they would be quoted. Once the story was published, I followed up to gauge how they were feeling, and later made them aware that photographs of them would appear at our galley in Flint.

Look for Connection and Insight

The beauty of visual storytelling is that the story can always change shape. Let go of any assumptions and let the story lead you where it may. Anna and I learned so much by taking this approach.

We found that, after a decade, many residents are still waiting for the change they want to see. The flood of the resources and attention Flint initially received has dwindled. But one of the reasons I wanted to revisit this story is because of the people I’ve met and will continue to meet. The city has introduced me to people who care deeply about their community and embrace one another with generosity, care and compassion. And I learned about a host of local programs, from the Flint Rx Kids program that provides financial support for mothers to the McKenzie Patrice Croom Flint Community Water Lab, which trains youth to give back and provides free water testing. Although communities like Flint shouldn’t need to be resilient, we can learn from their empathy, advocacy and support for one another during hard times. My job is to make photographs, but a big part of the fulfillment I get is from making connections.

We closed out our event in Flint by making photographs of attendees that they could have as keepsakes. One woman, who told me she had recently been displaced from her home, said she was going to email the photos of herself to her grandchildren who live in another state. It reminded me that photographs are invaluable in many facets of our lives. They keep us connected.